
No Friend but the Mountains
ھیچ دۆستێک جگە لە چیاکان
Melisa Diktaş & Marit-Shirin Carolasdotter
Photo by Kenneth Ly
If we were free - what would we want our world to look like? 'No Friend but the Mountains' is a Kurdish expression expressing humans’ flight toward refuge from war and injustice. Using a choreographic compass, ‘No Friend but the Mountains’ intermittently juxtaposes our combative present, our dimly perceived prehistoric past, and our journey toward a more humane future. The performers intersects ancient knowledge and decolonial ritual, inviting the audience to envision a future where people are finally free to reacquaint with the earth.
In an encounter between music and text by Luna Ersahin, dancers Melisa Diktaş and Marit-Shirin Carolasdotter, these multiple temporal perspectives of the mountains are danced in a powerful interplay spanning past, present and future. Throughout the film, Marit-Shirin is paying homage to her father, linking a family line of freedom fighters by establishing modes of resistance by dancing. As such, the urgency of 'No Friend but the Mountains' molds dancing into a unifying force: between human relationships, between performers and the observers.
Short film
Filming and editing by Kenneth Ly
Location: Gurhketjåhke, Västerbotten
Dancers: Marit-Shirin Carolasdotter & Melisa Diktaş.
Music and text: Luna Ersahin/AySay
Production Assistant: Lucile Bensimon
Official selection: CinéCorps in Rennes 2025, Botkyrka Konsthall 2025, Dansfilmfestivalen, Gothenburg 2024, Scenkonstbiennalen 2025
Chapters
Chapter 1
The idea behind the creative process started with a reflection upon activism and the fight for human rights, if we were to be free - what would we like the world to be, look like? Together with artist Anahita Babaei, we reseached the kurdish/iranian liberation movement, Jîn Jîyan, Azadi, and what we really mean by freedom for women under oppression. What are we fighting for?
The project took its first steps by organising a workshop week/research in Brussels 2022 at Garage29 and later in Stockholm to investigate these questions, gathering Indigenous women and non-binary dancers from Kurdistan, South America and Sápmi to weave, sing and perform together. The residency at SITE Stockholm resulted in a showcase at Dansens Hus Stockholm for the programme ‘Movers Signum’ 2022.
Chapter 2
Making of the short dancefilm ‘No Friend but the Mountains’ at Gurhketjåhke, Sápmi with Umeå based filmmaker Kenneth Ly (scroll down for link)
Participants: Marit-Shirin Carolasdotter, Melisa Diktaş, Luna Ersahin/Aysay
PA: Lulu Bensimon
The film may be requested for screenings, exhibitions and festivals. Email us for more information: info@humansandsoil.com
Chapter 3:
The project was granted a residency with Davvi - Senter før Scenekunst in 2024, where Kurdish and Sámi artists gathered to explore commonalities in Kurdish music and Sámi jojk. The residency resulted in a cultural exchange in Karasjok and Jergul, as well as a visit to the National Sámi Theatre in Guovdageaidnu 2024. Featured artists; Melisa Diktaş, Marit-Shirin Carolasdotter, Luna Ersahin, Ingá Márjá Sarre.
After the exchange, the project had a residency in Ubmeje/Umeå at Dotra Art Centre together with Anthony Rice Perttunen, Ingá Márjá Sarre, Marit-Shirin Carolasdotter, Stella Blanc and Hector Palacios. These encounters led to a new team forming a performance under the name Rrîtm in 2025.
Supported by:
Norrlandsoperan, Beáivvaš - Sámi Našunálateáhter, Nordic Culture Point,
Dansinitiativet, Konstnärsnämnden, Davvi - Senter for Scenekunst, The Barents Euro-Arctic Council, Dáiddafoanda, Dans i Västerbotten, Danscentrum Norr, Pohjanmaan Tanssin Aluekeskus
Visual archive
Images by Arnaud Beleen 2022, Kenneth Ly 2023, Hector Palacios 2024 and Johan Mathis Gaup 2024
Discourse
24th of June 2022, Choreographer Marit Shirin Carolasdotter was invited by Amanda Piña and Tanzqartier Wien to “The Mountain Talks” to speak from the position of the mountain in Sápmi; "Átjek” in connection to the current plans for mining in Gallók, as well as Marit Shirin’s exploration of her mountain ancestry from Sulaymaniah, Kurdistan. This talk inspired us to incorporate discourse and exchanges through dialogue in connection to the film and performances.